Shinique Smith in Boston
Shinique Smith's work is somewhat hard to define. She in fact has several distinct styles, some of which are interesting and unique, others of which are regrettably simple and uninspired.

Several of Smith's works are centrally focused around movement and swirls. Her works are all very similar and become rather trite after observing a large number of her works. However, one exceptionally unique work, my personal favorite, employed the use of mirror and reflection. Entitled "Breath & Line," this work's use of light is captivating, imaginative, and remarkably creative. In fact, the reflections and shadows cast by the work are more interesting and aesthetically appealing than most of the objects that are displayed in the MFA's modern art exhibits.
Another piece of sight-specific art worth mentioning in the MFA was the staple and string piece that hung overhead atop the first-to-second-floor staircase. Considering the extremely simplistic media used, the visual effects are rather stunning. It is an interesting piece to observe because it is so simple yet so versatile, and unique to every observer based on their position, the light from the sky, and many other factors.
Another group of Smith's works are characterized by the combination of paint and fabric. These works are all unique (much more than her "swirl" paintings previously mentioned). The use of specific colors and textures of fabric adds layers of depth, both literally and physically, to her work. These pieces capitalize on the simultaneous contrast and unification of media. The mural displayed in the Kennedy Greenway is a perfect example. Although it only makes use of paint, the mural has been constructed so well that, to viewers who aren't extremely close to the painting, it gives an extremely convincing illusion of multiple media. Moreover, the work adds much needed color to the surrounding area. This mural is perhaps the most impressive, attractive, and useful piece of street art I have seen in Boston. Its location and appearance create an emotive response in the area that would otherwise be extremely lacking. Its effects and significance are almost indescribable.
In contrast to some of Smith's more imaginative creations, her hanging wads of clothing are not only juvenile and generic, but they lack even an aesthetic appeal. Their banality warranted no response, either emotional or visual, and, in my opinion, contributed absolutely nothing to an otherwise interesting and exciting exhibit.




























